Alan Doyle attributes his varied creative ventures to the success of his folk-rock band Great Big Sea. Being the face of the group opened doors for him in different fields, including acting in Ridley Scott’s film “Robin Hood,” composing for the CBC sitcom “Son of a Critch,” and writing multiple memoirs. Despite his primary focus on music, opportunities in various industries have come his way without active pursuit.
One of his latest projects is a musical he co-wrote and stars in, based on the film “The Grand Seduction.” Set in a small Atlantic Canadian town facing economic challenges, the story revolves around efforts to attract a frozen-french-fry factory to sustain the community. Doyle’s character, Frank, takes a leading role in this endeavor, showcasing his versatility beyond music.
The idea for the musical originated when Adam Brazier, creative director of the Charlottetown Festival, approached Doyle to create the music for the adaptation. Embracing new challenges and experiences, Doyle has ventured into diverse projects like producing a Juno-winning children’s record, “You, Me and the Sea.”
While Doyle enjoys exploring new opportunities, he is also reluctant to turn down work, even if it may not align with his preferences. His upbringing in a fishing town instilled a work ethic that drives him to accept opportunities that come his way, such as speaking engagements at corporate events.
Remaining loyal to his roots, Doyle has consistently defended Newfoundlanders against stereotypes and negative portrayals. As a member of Great Big Sea, Doyle and his bandmates refused to participate in jokes that demeaned Newfoundlanders, aiming to represent their home province positively on a national stage.
Through his work and advocacy, Doyle has played a role in reshaping perceptions of Newfoundland and fostering pride among its residents. His upcoming book, “The Smiling Land: All Around the Circle in My Newfoundland and Labrador,” reflects his deep connection to his homeland and aims to showcase its beauty and culture.
Despite his global travels, Doyle’s heart remains in Newfoundland, a sentiment evident in his latest work, “Tell Tale Harbour.” While the musical’s setting is not explicitly Newfoundland, it carries the essence of Petty Harbour, his hometown, allowing audiences to connect with the universal themes of the story.
As “Tell Tale Harbour” continues its run at the Royal Alexandra Theatre in Toronto, Doyle remains focused on its current production while harboring ambitions for broader audience appeal. By leveraging his reputation and presence, he hopes to attract diverse audiences to experience the musical and potentially discover a newfound appreciation for theatre.
