In October, a survey of 52 Canadians for the 2026 CBC Arts Trend Forecast revealed a looming recession, sparking memories of the 2007 financial crisis. According to participants, a wave of nostalgia for the 2000s is expected to dominate the upcoming year.
Various individuals shared their insights, with Montreal artist Allie Gattor highlighting the anticipated resurgence of blogging. Drummer Jacob Hellas from the Toronto band Mil-Spec predicted a rise in popularity of message boards. Fashion trends are also expected to shift from baggy pants back to skinny jeans, as curator Katie Lawson emphasized the enduring appeal of indie sleaze and the comeback of 2010s aesthetics.
Indie sleaze, a term encapsulating the aesthetic of the 2000s, is characterized by a blend of youth culture elements, captured through nostalgic lenses. Music played a pivotal role in shaping this era, encompassing genres like disco-punk, post-punk revival, and garage rock. Notably, Canadian film editor Olivia V. popularized the term “indie sleaze,” garnering a substantial following on Instagram.
Recent indicators point toward a revival of indie sleaze, with fashion brands showcasing elements reminiscent of the era. However, questions linger about the feasibility of replicating the carefree attitude associated with indie sleaze in today’s image-conscious society.
The roots of indie sleaze can be traced back to Canada, with Olivia V. aiming to preserve the essence of the era through her online platform. Canadian musicians, such as Peaches and Metric, played a significant role in shaping the indie music scene during the early 2000s, contributing to its global influence.
The Juno-winning band The Beaches, comprising sisters Kylie and Jordan Miller, drew inspiration from indie sleaze for their music. Reflecting on the cultural significance of the era, they emphasized the impact of bands like Metric on their musical journey.
However, challenges such as rising living costs and diminishing cultural venues pose obstacles to a full-fledged revival of indie sleaze. The affordability of housing, a key factor during the 2000s, has significantly shifted, impacting the ability of emerging artists to thrive in urban centers like Toronto.
Despite these challenges, trend forecaster Srutika Sabu envisions a resurgence of carefree partying in 2026, driven by a nostalgic yearning for hope and optimism. While the era of indie sleaze may never be fully replicated, its influence continues to resonate with a new generation seeking escapism and community through music and social gatherings.