Mae Martin acknowledges the potential confusion surrounding the plot of “Wayward,” the latest Netflix series set in the fictional Vermont town of Tall Pines, which Martin conceptualized, scripted, and stars in.
The mystery deepens as leader Evelyn Wade (played by Toni Collette) cryptically mentions a “door in her mouth” to the troubled teens at Tall Pines Academy. Alex Dempsey (portrayed by Martin) witnesses his wife, Laura (played by Sarah Gadon), exhibiting bizarre behavior, adding to the enigma. Meanwhile, the students at the school hint at sinister occurrences behind closed doors, prompting Canadian teens Abbie (Sydney Topliffe) and Leila (Alyvia Alyn Lind) to take action.
Despite their comedic background, Martin ventures into a darker narrative with “Wayward,” exploring themes of identity and adolescence amidst a chilling backdrop. The series quickly climbed to the top spot in Netflix’s global TV category post its recent release, showcasing Canadian talent alongside other successful productions like “Kpop Demon Hunters.”
With an aggressively Canadian touch, “Wayward” centers on the experiences of newcomers Alex, Abbie, and Leila in the peculiar town of Tall Pines. As the plot unfolds, dark secrets and disappearances come to light, challenging the trio to navigate a web of mysteries within the school’s enigmatic system.
The show’s Canadian essence is evident throughout, occasionally bordering on overt patriotism. While “Wayward” fits into the popular genre of supernatural thrillers, it falls short of delivering a truly standout experience, relying heavily on its Canadian roots for distinction. However, the series’ exploration of queer themes and the performances of Martin and Collette offer moments of depth and originality.
Despite its scattered narrative and unresolved questions, “Wayward” shows promise with glimpses of potential greatness, especially in its poignant conclusion. Martin’s debut effort hints at a promising future, leaving room for improvement in potential subsequent seasons or projects.
