A recent auction saw the sale of a painting depicting two black cats by a Nova Scotian artist named Lewis for approximately $18,000. Notably, the artwork was not created by the well-known painter Maud Lewis but by her husband, Everett Lewis. While Maud Lewis paintings typically fetch high prices, there is a growing interest in the works of other Nova Scotian folk artists, leading to increased values for their pieces.
Historically, Everett Lewis was more recognized for replicating his wife’s style rather than showcasing his original creations. However, at a recent auction in Saint John, one of his paintings, initially valued at around $4,500, was sold for an impressive $18,400. Ethan Miller, the CEO of Miller & Miller auction house in New Hamburg, Ontario, described Everett Lewis as more infamous than famous, with his works sparking mixed reactions and controversy. Despite this, collectors appreciate the charm and heartfelt nature of his art.
The uptick in value for Nova Scotian folk art is indicative of the growing fascination with this genre in Canada. Joe Norris, a former fisherman turned painter following a health scare, also saw his artwork soar in value. At a recent auction, a painting by Norris, expected to sell for $9,000 to $12,000, fetched $23,600. Miller emphasized that folk art not only showcases artistic talent but also reflects the stories and lives of the creators.
The surge in interest in Nova Scotia folk art can be attributed to various factors, including a landmark sale of a Maud Lewis painting for $350,000 in 2022 and the impact of the COVID-19 pandemic. Collectors and investors view art, especially folk art, as a stable investment during uncertain times. The success of renowned artists like Maud Lewis has also led to increased attention on other artists from the region, driving up prices at auctions.
Sarah Jones, co-owner of Jones Auction House in Saint John, observed a similar trend in the art market, with works by Atlantic Canadian artists surpassing estimated values. Notable examples include a watercolor by David McKay from New Brunswick selling for $24,150 and a pastel by Mary Pratt from Newfoundland fetching $9,200, exceeding initial estimates. Jones underscored the importance of recognizing and supporting lesser-known artists alongside more acclaimed figures like Alex Colville and the Pratts.
In conclusion, the growing appreciation for Nova Scotia folk art reflects a broader trend in the art world where unique and heartfelt creations are gaining recognition and value.